You now know the officially accepted historical version of how this went down. The Motive to Hide 528 Hz & The Other Healing Frequencies And there's no conspiracy without a motive. It's not unbelievable that historians of the time knew that the system was already in use in ancient India and the Levant and adapted it. Now, it's not that the seven note scale (or octave when you loop back to the root) was invented then. This is how "Sol" becomes "So" and "Si" was added, where "John" is originally "Iohannes." We end up with this twisted translation to fit the narrative: That's the accepted story of how it all went down, despite the contradictions. Later in the 1800's "Si" becomes "Ti" because an English music teacher named Sarah Glover would rather notate it as "D, R, M, F, S, L, S" and doesn't like that there's two S's. Giovanni Battista Doni decides he doesn't like "Ut" and changes it to "Do" and that "Sancte Iohannes" should be "Si", a seventh note in the scale. The image also shows the older neume notation system:įast forward to 500 hundred years later. Here's a Youtube video of this specific Gregorian chant. By singing them you may be cleansed, basically, thanks to the power of John the Baptist. So that your servants may, with loosened voices, resound the wonders of your deeds, clean the guilt from our stained lips, O Saint John.īy reading the translation, you can already see where the idea that this stanza and the frequencies have secret healing powers encoded in them. Here's the accepted accurate translation: The Latin stanza can be stylized like so, which highlights where the solfeggio frequencies come from:īoom. This is where the syllables are derived from, as seen here: He noticed this Latin hymn called Ut queant laxis featured phrases that each began on the six notes in order.
SOLFEGGIO FREQUENCIES CHART TONES HOW TO
Guido developed his system to teach these monks how to sight read, hear pitches, and manipulate the intervals vocally as they sung the Gregorian chants. This is why people are being skeptical about the whole thing.
We know the 7th note was added by Giovanni Battista Doni in the 16th century. yet they are supposed to be at least 2000 years older. We also know where "Do, Re, Mi, Fa, Sol, La, Ti" comes from. The fact is, we know where "Ut, Re, Mi, Fa, Sol, La" comes from. So basically, the people developing this conspiracy claim that those in power are trying to revise history to discredit the original solfeggio frequencies, and there's a reason: they hold spiritual and metaphysical power. So the question becomes why and what happened? The Development of Guido's Solfeggio Frequencies Soon after that, we're all using the seven-note system mentioned above. Put this together with the staff notation, his Guidonian hand system, and this hexachord scale, and it was so clear that this guy was the master that Pope John XIX invited him to the Vatican to discuss it. It's said that as a monk and music theory master, he saw how hard it was for all his fellow monks to learn the Gregorian chants, so he developed a mnemonic system that goes like this: He was an Italian music theorist who's credited with being the inventor of the modern musical staff and the notation that goes along with it, replacing the old neume system that was stifling the learning process of all musicians. But then we have this guy Guido of Arezzo who lived from circa 990 A.D. The system above is supposedly the oldest, stretching back to even 1000 B.C. While the true origin of this 7-note diatonic scale is unknown, the furthest we can trace it back is to the Arabic solmization (same as solfeggio) system and the Hindustani and Carnatic classical styles from India. There's the "Fixed Do" we learn as kids that matches the C-Major scale and then the "Movable Do" we learn later that helps us hear and sing the varying intervals in other Major and Minor scales. It's used in the West from elementary school all the way through college to teach which pitches belong to the scales that we currently use. Solfège (or Solfeggio) is the classic educational method all of us were exposed to growing up. I consider it "infotainment." I don't really care if it's true or not, it's just fun and interesting. It's an interesting trip of musical education with large bent of paranoia and new age thinking. While there's a lot of info out there about this, you can consider this post a condensed summary of it all. The concept is that there has been a deliberate shifting of the fundamental frequencies of our Western scales away from an ancient and sacred 6-tone scale of solfeggio frequencies towards a less auspicious set of tones. In my adventures through the cynical side of the internet, I came across an interesting conspiracy idea that strikes at the very core of Western music.
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